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#328 The Heiress

(1949, William Wyler)

“I can be very cruel. I have been taught by masters”

The trailer for this movie (above) is very keen on informing us that The Heiress is an absolutely marvellous piece of cinema that’s going to shape the future of cinema, but the fact that I hadn’t heard of it until now makes me question those studio-appointed accolades. But, it could still very easily be a good movie, even if it didn’t set the world on fire in the way the dramatic announcer above seemed to wish it would. Let’s find out.

Olivia de Havilland stars as Catherine Sloper, the plain and naïve daughter of a rich and successful doctor (Ralph Richardson). She is despised by her father, who constantly compares her to her late mother and finds her physically and emotionally dull, and considers her to be an embarrassment to him. Catherine soon finds an emotional connection in a man named Morris (Montgomery Clift) and hopes to marry him, but Dr Sloper suspects him of trying to muscle in on her future inherited fortune.

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#267 Gone With The Wind

(1939, Victor Fleming)
“Frankly, my dear, I don’t give a damn”

Gone With The Wind is one of those classic movies that inevitably ends up on Movies You Must See lists, so it was inevitable that I’d end up reviewing it one day. It was the highest-grossing movie of its time, and depicted the American Civil War from the perspective of white Southerners. But how well does it hold up today?

Gone With The Wind centres on Scarlett O’Hara (Vivien Leigh), a young Southern socialite living in Georgia on the cusp of Civil War. Romantically interested in a man named Ashley Wilkes (Leslie Howard), she tries to seduce him despite him being engaged to his cousin Melanie Hamilton (Olivia de Havilland), while she simultaneously catches the attention of Rhett Butler (Clark Gable). As civil war rages, Scarlett manipulates and deceives her way towards winning Ashley’s attentions before eventually marrying Rhett in a tortured marriage. Basically, lots of things happen here.

It’s easy to see why people love Gone With The Wind. It’s an ambitious project which covers a lot of ground story-wise, with excellent costume design and cinematography, and some really great moments that cement its place in cinema history.

Clark Gable is a fantastic example of this. The man has charm coming out of his pores, and is easily the best thing about the whole movie. Rhett Butler is an inherently awful person for the most part, but Gable makes him likeable and I don’t know how he did it. It’s a shame that for much of the first half of the movie he tends to disappear offscreen for long periods, since he’s always missed when he’s not around.

There are also some hugely effective scenes running throughout. The scenes of war are always powerful, feeling difficult to watch and sometimes being downright terrifying. I’m not someone who normally buys into “war is hell” imagery (simply because it’s so overdone it’s become cliché) but these scenes were extremely effective. But the scenes of the war’s effects hit even harder than the war itself, especially a scene where Scarlett’s father has clearly lost his mind following the loss of his wife in the hostilities, which was incredibly moving.

But Gone With The Wind is far from a perfect movie. For a start, it’s over three hours long, and me and films of that length don’t get along too well. What’s more, there are times when it definitely feels that long, especially in the second half of the movie where things like to drag on longer than they need to. There are also plenty of instances where a scene that really should be urgent simply isn’t.

There is also the fact that the movie suffers from some particularly offensive period drama floofiness early on, with Southern Belles and gentlemen wandering around chortling about their life and how the South will never be beaten. It’s a little bit tiresome, at least until Rhett comes in and tells them all how dumb they all are. Fortunately, this doesn’t last, but this combined with the movie’s tendency to drag at times, it threatens to derail the movie before it’s even begun.

However, while the period drama floofiness eventually disappears, Scarlett O’Hara never stops being intensely unlikeable. She’s a manipulative, shallow, selfish, irredeemable bitch. Vivien Leigh does a great job playing her, but man is it difficult having this person as a protagonist. She’s impossible to identify with, and more often than not, you simply want her to fail at everything.

It’s also really hard to tell exactly what the attraction between her and Rhett is. Quite often, he will pursue her and attempt to seduce her, all while openly admitting she’s a terrible human being. I never found the romance particularly convincing. Perhaps this was the point, since they hardly have a perfect marriage in the second half of the movie, but it’s still really bizarre.

And then of course, the most common complaint about Gone With The Wind by modern reviewers is one that I agree with. Set in The South, the movie naturally features a number of black slave characters, all of whom are portrayed as amusingly stupid and absolutely happy to be in slavery. Their portrayal is meant to be laughed at, as if those silly brown people are an amusing sideshow, and these days it’s just uncomfortable.

And yet, despite all of these faults, Gone With The Wind somehow manages to hold together as a solid, watchable package and it’s easy to see why it’s such a classic, albeit a hugely flawed classic.

Starring Clark Gable, Vivien Leigh, Leslie Howard & Olivia de Havilland
Written by Margaret Mitchell (novel) and Sidney Howard
Produced by David O. Selznick
Music by Max Steiner
Cinematography by Ernest Haller
Edited by Hal C. Kern & James E. Newcorn

Favourite Scene: Rhett ultimately realising how tired he is of Scarlett’s crap and tells her that most famous of movie lines (see page quote).
Scene That Bugged Me: While escaping from Georgia in the midst of war and fires, they sure do take their sweet time.

Watch it if: You like sprawling period dramas with excellent acting
Avoid it if: Its absurd length is far too much for you

#251 The Adventures Of Robin Hood

(1938, Michael Curtiz & William Keighley)

“It’s injustice I hate, not the Normans”

Robin Hood is a great British legend, putting the city of Nottingham on the map before it became the mugging capital of Europe. Many interpretations of the Robin Hood legend have been committed to film over the years, from Russell Crowe’s moody portrayal to the glitzy Hollywood sheen of Prince Of Thieves to Disney’s 1950s anthropomorphic adventure.

But only one of these made it onto the Movies You Must See list – the original movie that cemented Errol Flynn’s star status, The Adventures Of Robin Hood.

The movie follows the basic structure of the Robin Hood legend. King Richard The Lionheart is busy fighting off the Assassin Order in the Crusades, leading his evil brother Prince John to claim the throne in his absence. The Earl of Loxley, a man named Robin (Flynn), doesn’t take kindly to John’s crippling taxes on the Saxon people and vows to fight back, forming a team of bandits in the forest to lead a revolution against the false king, while simultaneously trying to get into the britches of the fair Maid Marian (Olivia de Havilland).

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