(1981, John Landis)
“Beware the moon”
It’s no longer Halloween, but it appears that today we still have the horror bug, and this is a movie that has it all. Werewolves! Gore! Murder! Yorkshiremen! Frank Oz in a non-puppet role! Today we’re looking at An American Werewolf In London.
Two American students are inexplicably on holiday in the Yorkshire Moors. After David (David Naughton) and Jack (Griffin Dunne) wander into a spooky pub filled with terrifying Yorkshiremen, the two end up venturing onto the moors at night, where they’re attacked by a beast. Jack is killed, but David is saved when the scary Yorkshiremen shoot the beast. David is taken to hospital in London (as opposed to, I don’t know, Leeds) where he begins to experience strange visions of a horribly mutilated Jack who tells David that he’ll turn into a werewolf. David also falls for his nurse, Alex (Jenny Agutter), and the two begin a relationship.
(1976, Sidney Lumet)
“I’m mad as hell and I’m not gonna take this anymore!”
Network appears to be a film with some degree of minor cult success. You don’t usually hear about it listed in typical Best Films Ever lists, but it does turn up once or twice on some individuals’ lists. It’s a movie that I have been quite intrigued by, so today I’ll be taking a look at it.
Network is the story of the UBS Evening News, and its anchor, Howard Beale (Peter Finch). After poor ratings, Beale is informed that he is to be taken off the air, which leads him to announce his suicide on-air. His boss, Max Schumacher (William Holden), urges the network to give him a second chance…and Beale immediately goes on air to denounce everything as “bullshit”. However, far from causing an upset, his rant becomes a ratings hit, and the corporate interests at the network take note. This includes programming director Diana Christensen (Faye Dunaway), who seeks out anything that can get the network the best ratings, regardless of any moral concerns.
(1980, Samuel Fuller)
“By now we’d come to look at all replacements as dead men who temporarily had the use of the arms and legs. They came and went so fast and so regularly that sometimes we didn’t even learn their names”
If you’ve read through my blog by now, you probably are aware that one subject I’m sick of seeing in movies is World War II. Name a battle in that war and chances are there are at least five movies that examine it in great detail from multiple angles. We have movies from the perspective of innocent civilians caught up in horrendous circumstances. And now, apparently, we have a movie set entirely around a specific squad.
The Big Red One is focused on a band of American soldiers in the 1st Infantry Division, aka The Big Red One. During the events of the movie they fight in battles in North Africa, Sicily and Normandy. And…uh…that’s it. That’s the movie. Read the rest of this entry
(1943, The Archers)
“Can’t imagine anything more awful than to be a prisoner of war in England”
In 1930s Britain, a cartoon character emerged in one of the major papers, openly criticising the British establishment by being blundering, preposterous and full of hot air. Colonel Blimp was designed to be a satirical representation of British military officers who spoke with a great deal of authority on topics they didn’t understand and expressed very jingoistic views. In 1943, production team The Archers decided to develop this character further in a movie, exploring his life and expanding him into more than just a stereotype. And thus, The Life And Death of Colonel Blimp.
The Life And Death of Colonel Blimp focuses on Major-General Wynne-Candy (Roger Livesey), exploring his life through a series of lengthy flashbacks. Starting with his escapades in the Boer War in the early 20th century and leading through the World Wars, we witness his attempts to maintain a stiff upper lip in the face of complicated diplomatic incidents and his growing affection for a woman named Edith Hunter (Deborah Kerr), and how this affects his decisions. Read the rest of this entry
(1968/1978, George A. Romero)
“They’re coming to get you, Barbra”
So while other movie blogs have seen reviewers watch horror movies all through October, I kept up my regular thing of a special horror review on Halloween itself. But I reviewed Halloween last year, so where could I possibly go this year? A quick glance at the 1001 Movies list showed me that two of George Romero’s Dead movies were on my to-watch list, so I figured, how about a double review of these classic zombie movies?
After all, it’s pretty much impossible to avoid zombie fiction lately what with the success of games like The Last of Us and The Walking Dead being one of the most popular shows on TV right now. So why not spend this Halloween taking a look at where the modern zombie image came from?
Night Of The Living Dead, the first in the series, starts out with siblings Barbra (Judith O’Dea) and Johnny (Russell Streiner) visiting their father’s grave. Soon things turn sour when Johnny is attacked and murdered by a strange, lumbering man. When Barbra runs away, she finds herself trapped in a farmhouse surrounded by more of these murderous people with a man named Ben (Duane Jones), an embittered married couple with a sick child, and a teenage couple who fled when they heard emergency broadcasts. Then shenanigans.
Dawn Of The Dead, released ten years later, is set in the midst of the zombie outbreak, and two SWAT team officers, Peter (Ken Foree) and Roger (Scott Reiniger), join forces with two employees from a local TV station who have stolen the station’s helicopter, Stephen (David Emge) and Francine (Gaylen Ross). Together they journey to a shopping mall for supplies, and decide to turn it into their own personal base to hide out from the apocalypse. Then shenanigans. Read the rest of this entry
(1953, Fritz Lang)
“I’ve been rich and I’ve been poor. Believe me, rich is better”
Today I’m reviewing a film noir! Awwwww yeaaaaaah!
The Big Heat stars Glenn Ford as Dave Bannion, a police detective investigating the death of fellow officer Tom Duncan. After a woman named Lucy (Dorothy Greene) tips him off that the case may not be as open-and-shut as it first seems, she soon turns up dead. Bannion begins investigating further, and finds himself receiving threatening phone calls, and a confrontation with a local mob boss results in the death of his wife. Now Bannion is on the trail of the truth, both for justice and for revenge! Read the rest of this entry
(2003, Wolfgang Becker)
“The future lay in our hands. Uncertain, yet promising”
We’ve visited one previous movie about divided Germany before here on SvTM, the surprisingly good The Lives Of Others, but there haven’t been many others since then. Perhaps now it’s time to take a look at the effects of the regime on the ordinary citizens of East Germany, specifically when the Berlin Wall fell. Perhaps it’s time to say Good Bye Lenin!
The movie is set in 1989, where we focus on young East German citizen Alex Kerner. After he attends a protest rally in October, his mother Christiane (Katrin Sass) sees him and suffers a heart attack amidst the chaos. Due to delayed medical intervention as a result of the protests, Christiane falls into a coma, with no clear indication of when she’ll come out. During her eight-month coma, the Berlin Wall falls and the reunification of Germany begins.
However, when she comes out of her coma, the doctors inform Alex that the damage to her heart is serious, and any sudden shock could potentially bring on a fatal attack. Realising that the political upheaval going on around them could be exactly the kind of shock that could affect his staunchly socialist mother, he sets about trying to concoct an elaborate lie that the Wall never fell and Germany is still divided.
(1956, Don Siegel)
“They’re here already! You’re next!”
Imagine if you will, an ordinary day, with an ordinary man, wandering through the streets as if everything is as ordinary as can be. But this ordinary man is not an ordinary man. He is something else. He is a facsimile of a man. A duplicate of a man who had his body snatched. What you are imagining is the scenario presented in Invasion of The Body Snatchers.
One of the most well-known, influential and well-respected movies of the 50s alien invasion b-movie canon, Invasion of The Body Snatchers stars Kevin McCarthy as Dr Miles Bennell, a doctor who has recently returned from a trip and finds his hometown acting a little strange. Numerous people are coming to him claiming that their relatives aren’t who they say they are, the normally buzzing diner is devoid of customers and a resident reports a mysterious body appearing on his pool table. Something fishy is going on in Santa Mira, and Miles intends to find out what.
Invasion Of The Body Snatchers is definitely a b-movie, although it is one with slightly better production values than the average alien invasion flick. That said, it’s still a very ropey and slightly cheesy movie that falls flat on an awful lot of things.
First of all, the acting. While certainly a step up from the acting you typically came across in 50s b-movies, it’s still shaky as hell at times. Characters often feel a little too stoic where they really should be shocked or scared, and the square-jawed emotionless hero kind of got a little silly after a while, especially as it began to become difficult to tell the difference between the emotionless clones and the hero. At least until the end when he starts freaking out.
Also, the plot is really not consistent. Certain things move too quickly, meaning there’s never really a strong sense of dread going on. Miles and his lady-friend wander through the town experiencing weird thing after weird thing, spending very little with each weird thing until eventually there’s a body on a table slowly growing features and I feel like I skipped a few pages of build-up.
And when it’s not doing that, the movie has an alarming tendency to over-explain itself. Quite often we’ll be told of extra weird things, or we’ll get frequent summaries of the movie so far. Very rarely does the movie just stop and let the tension build. And it definitely makes the experience feel weaker. There are also some logistic issues with the way the “body snatchers” operate. There are times when the clones are created separately from the original, but other times it feels like the original body is taken over, and there’s a constant clash on this front.
But that’s not to say Invasion Of The Body Snatchers is an inherently bad movie. Far from it, in fact. The central concept is definitely intriguing and it plays itself out nicely. We get reveals at appropriate times and despite the general lack of tension, there are scenes where tension does pop up briefly, and these are probably some of the stronger scenes in the movie. A scene late in the movie where the whole town moves in sync with one another is eerie and particularly notable.
The effects are also surprisingly good for an old sci-fi b-movie. Okay, admittedly this mostly stems from the pods and the resulting pod people, but these are still things that worked fantastically well. The pods looked creepy and organic, and the unfinished clones were creepy and unpleasant in all the right ways.
I think perhaps the monster being other people also worked in the movie’s favour as it allowed it to keep its effects minimal and create a sense of paranoia instead of the shock of seeing plastic flying saucers floating in on strings. It’s easy to see how the movie was taken as a McCarthyism allegory, since the fear of other people is strong here.
Overall, Invasion of the Body Snatchers is a ropey and somewhat shaky movie that tells an interesting story in a flawed way. It’s a low-budget sci-fi b-movie that sits firmly at the higher end of the quality scale for the genre. It’s clear why this has endured the way it is. It has moments of tension and action, while also remaining somewhat charmingly silly at the same time.
Starring Kevin McCarthy, Dana Wynter, Larry Gates, King Donovan & Carolyn Jones
Written by Jack Finney (novel) and Daniel Mainwaring
Produced by Walter Wanger
Music by Carmen Dragon
Cinematography by Ellsworth Fredericks
Edited by Robert S. Eisen
Favourite Scene: The town moving in unison and preparing to deliver pods out of town is easily one of the more unnerving sights in cinema history.
Scene That Bugged Me: There was something very silly about the pod people casually explaining their whole plan and then gathering in a separate room expecting Miles to sit still.
Watch it if: You like cheesy 50s alien invasion movies, because this is one of the best
Avoid it if: You like your alien movies to be full of spaceships and little green men
(1946, Jean Cocteau)
“Belle, you mustn’t look into my eyes”
It’s a tale as old as time – a beautiful romantic tale about a young girl enslaved by a beast-man in his magical castle until she is able to turn him into a charming prince through her innocent nature. Wait, that doesn’t sound very romantic at all! Yes, it’s everybody’s favourite children’s story about Stockholm Syndrome, Beauty And The Beast.
However, this isn’t the famous Disney version, this is instead the original French adaptation, La Belle et la Bête. After a wealthy merchant loses his fortune through dealings with unscrupulous people, he finds himself lost in the forest. Upon finding a large castle, he picks a rose from the garden and is immediately caught by a fierce beast-man (Jean Marais), who sentences him to death. However, a deal is made, and he can be spared if he sends his daughter to take his place. And so, Belle (Josette Day) is sent to the castle, where she is imprisoned and must now live with the Beast, who appears to hide a soft side under his gruff exterior. Read the rest of this entry
(1976, John Cassavetes)
“I’ve got a golden life. Got the world by the balls”
I’ve encountered John Cassavetes exactly twice before on this blog in two films from 1968, one starring him and another directed by him. In Rosemary’s Baby, he had the dubious honour of casually announcing that he’d raped his wife in her sleep, and his movie Faces was a drab, meandering mess of a movie that said nothing and spent too long doing that. So my hopes aren’t exactly high for The Killing Of A Chinese Bookie, but let’s give it the benefit of the doubt.
Ben Gazzara plays strip club owner Cosmo Vitelli, who goes out to celebrate being free of a mob debt and ironically ends up back in debt to the mob due to gambling too much of his money away. In order to pay his debt, the mob demands that Vitelli take on a hitman job, to kill a Chinese bookie who’s been causing problems for the mafia. Read the rest of this entry